Tag Archives: Doramas

Doramas' two deaths and the enigmatic chronicler Pedro López

An idealized statue of Doramas by Grandcanarian sculptor Abraham Cárdenes (1907-1971) (source: MILLARES TORRES, A. et al. (1977 [1893]), Historia General de las Islas Canarias, vol. II, Las Palmas de Gran Canaria: EDIRCA, p. 178).

In our post devoted to Benahoarite chieftain Tanausu we pointed the importance of the ancient Canarian heroes in the building of the Archipelago’s folklore.

This value reaches a paradigmatic height in the case of Grandcanarian warrior Doramas by adding to the classic personal attributes of courage, abnegation and self-sacrifice, typical of a heroic model, that of the subject of humble origins determined to build his own destiny, who strives to ascend with his only effort along the social pyramid to which he belongs, while simultaneously facing the obstacles placed both by the status quo –an islander oligarchy determined to perpetuate itself in power through the instrument of lineage– and by forces other than internal social contradictions –European invaders–.

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The Pact of Calatayud (3/3)

Northeast view of Gáldar Mountain, Gran Canaria. Was it by surprise or his own free will, in an unknown cave near the ancient indigenous capital Guanarteme Tenesor Semidan was captured by Castilians (source: PROYECTO TARHA).

In this third and last part of our series devoted to the so-called Pact of Calatayud we are dealing with one of the mysteries this event raises: the identity of the anonymous guanarteme who paid obedience to the Catholic Monarchs. Let us note that, for the moment, the lack of official documentary evidence –starting with the petition letter presented by the Grandcanarian embassy arrived to the Aragonese town in May 1481– makes it impossible at present to dispel such anonymity. However, in this post we present a list of four names we consider to be the most likely candidates to embody this enigmatic character.

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The Essentials (VIII): The Comedy of the Reception

Comedia del Recibimiento. Cover of the 2005 edition by Professor Oswaldo Guerra Sánchez.

DORAMAS

Guanda demedre tamaranone tasuguiet besmia

mat acosomuset tam obenir marago, aspe anhianacha

aritamogante senefeque senefeque.

CURIOSITY

What does he say, sister?

WISDOM

He is inviting us to lunch; and he says

he will give us many potages, Canarian style, and he asks us

to sit down.[1]CAIRASCO (2005), p. 34. This translation by PROYECTO TARHA.

Although not being a core work to know the ancient history of the Canary Islands, joining this to our Essentials is justified by its literary and philological significance.

Composed between 1581-1582 by Canarian canon, musician, poet and playwright Bartolomé Cairasco de Figueroa (Real de Las Palmas, 1538-1610), so-called Comedia del Recibimiento (Comedy of the Reception) is a small stage play whose destiny was to be represented to welcome the new bishop of Canaria, Fernando de Rueda. In this play, six characters –five allegorical: Wisdom, Curiosity, Invention, Gáldar and Guía, the two latter representing the homonymous Grandcanarian locations, and one historical, Canarian warrior Doramas– introduce the Archipelago virtues to the Prelate.

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